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Emma
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Antonin Artaud
“If I commit suicide, it will not be to destroy myself, but to put myself back together again. Suicide will be for me only one means of violently reconquering myself, of brutally invading my being, of anticipating the unpredictable approaches of God. By suicide, I reintroduce my design in nature, I shall for the first time give things the shape of my will.”
Antonin Artaud

Juhani Pallasmaa
“I confront the city with my body; my legs measure the length of the arcade and the width of the square; my gaze unconsciously projects my body onto the facade of the cathedral, where it roams over the mouldings and contours, sensing the size of recesses and projections; my body weight meets the mass of the cathedral door, and my hand grasps the door pull as I enter the dark void behind. I experience myself in the city, and the city exists through my embodied experience. The city and my body supplement and define each other. I dwell in the city and the city dwells in me.”
Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses

Halldór Laxness
“For man is essentially alone, and one should pity him and love him and grieve with him.”
Halldór Laxness

“I Go Down To The Shore

I go down to the shore in the morning
and depending on the hour the waves
are rolling in or moving out,
and I say, oh, I am miserable,
what shall—
what should I do? And the sea says
in its lovely voice:
Excuse me, I have work to do.”
Mary Oliver, A Thousand Mornings: Poems

Juhani Pallasmaa
“The computer is usually seen as a solely beneficial invention, which liberates human fantasy and facilitates efficient design work. I wish to express my serious concern in this respect, at least considering the current role of the computer in education and the design process. Computer imaging tends to flatten our magnificent, multi-sensory, simultaneous and synchronic capacities of imagination by turning the design process into a passive visual manipulation, a retinal journey. The computer creates a distance between the maker and the object, whereas drawing by hand as well as working with models put the designer in a haptic contact with the object, or space. In our imagination, the object is simultaneously held in the hand and inside the head, and the imagined and projected physical image is modelled by our embodied imagination. We are inside and outside of the conceived object at the same time.”
Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses

14312 Art History — 110 members — last activity Dec 15, 2017 09:10AM
For anyone interested in the history of art!
13335 Art Lovers — 2535 members — last activity 9 hours, 34 min ago
To reciprocate the appreciation of different artists and discuss their lives and works.
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