Mundy Reimer

“the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical or mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game’s symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.”
― Hermann Hesse, The Glass Bead Game

“...we all have asymmetrical relationships with people far away, in space, in time, across the barrier between our real world and the shadow world which contains both our past and Holmes’s Valhalla. Worlds which are not real (past or imaginary) can still teach us, warn us, just as friends who are not with us can inspire us, push us, draw us into the unending teamwork of humanity, which has always crossed time’s diaspora. Sometimes we’re too tired, the friends around us absent or just tired too. But Thomas Hobbes is not too tired, nor loyal Watson, and while dead hands and imaginary hands can’t mend our pavement cracks, they can still sit beside us on the roughest nights and help us make it through. And if we love our imaginary worlds, if they stir passions in us, love, I think that makes us love this world the more, this world that created them, and that we remake with them.”
― Ada Palmer, Perhaps the Stars

“...for geometry, you know, is the gate of science, and the gate is so low and small that one can only enter it as a little child.”
― William Kingdom Clifford

“The value of philosophy is, in fact, to be sought largely in its very uncertainty. The man who has no tincture of philosophy goes through life imprisoned in the prejudices derived from common sense, from the habitual beliefs of his age or his nation, and from convictions which have grown up in his mind without the co-operation or consent of his deliberate reason. To such a man the world tends to become definite, finite, obvious; common objects rouse no questions, and unfamiliar possibilities are contemptuously rejected. As soon as we begin to philosophize, on the contrary, we find, as we saw in our opening chapters, that even the most everyday things lead to problems to which only very incomplete answers can be given. Philosophy, though unable to tell us with certainty what is the true answer to the doubts which it raises, is able to suggest many possibilities which enlarge our thoughts and free them from the tyranny of custom. Thus, while diminishing our feeling of certainty as to what things are, it greatly increases our knowledge as to what they may be; it removes the somewhat arrogant dogmatism of those who have never travelled into the region of liberating doubt, and it keeps alive our sense of wonder by showing familiar things in an unfamiliar aspect.”
― Bertrand Russell, The Problems of Philosophy