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Erin
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by T.S. Eliot
bookshelves:
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poetry,
collection,
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to-read-important-lit,
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Erin
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by George Eliot
bookshelves:
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to-read-important-lit,
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Erin
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“What I mean is, I woke up with an intense desire to live so that I could die and to die so that I could live. I wanted to die in order to live, to struggle in order to live for Latin America, to live and die for the Indians, to live and die for the blacks, to live and die for the animals, to live and die for my dad, who was a son of a bitch but a very nice guy. For the students, for Subtiava, for everything. These were the ideals I cherished and kept with me, in a private way, from the time I came up from the city to the mountains, and that I never talked about to anyone.”
― Fire from the Mountain: The Making of a Sandinista
― Fire from the Mountain: The Making of a Sandinista
“There is in this a cruel contradiction implicit in the art form itself. For true jazz is an art of individual assertion within and against the group. Each true jazz moment (as distinct from the uninspired commercial performance) springs from a contest in which each artist challenges all the rest; each solo flight, or improvisation, represents (like the successive canvases of a painter) a definition of his identity: as individual, as member of the collectivity and as a link in the chain of tradition. Thus, because jazz finds its very life in an endless improvisation upon traditional materials, the jazzman must lose his identity even as he finds it — how often do we see even the most famous of jazz artists being devoured alive by their imitators, and, shamelessly, in the public spotlight?”
― Shadow and Act
― Shadow and Act
“Now that I possess the secret, I could tell it in a hundred different and even contradictory ways. I don't know how to tell you this, but the secret is beautiful, and science, our science, seems mere frivolity to me now... And anyway, the secret is not as important as the paths that led me to it. Each person has to walk those paths himself.”
― Collected Fictions
― Collected Fictions
“Wrong life cannot be lived rightly.”
― Minima Moralia: Reflections on a Damaged Life
― Minima Moralia: Reflections on a Damaged Life
“To articulate the past historically does not mean to recognize it ‘the way it really was’ (Ranke). It means to seize hold of a memory as it flashes up at a moment of danger. Historical materialism wishes to retain that image of the past which unexpectedly appears to man singled out by history at a moment of danger. The danger affects both the content of the tradition and its receivers. The same threat hangs over both: that of becoming a tool of the ruling classes. In every era the attempt must be made anew to wrest tradition away from a conformism that is about to overpower it. The Messiah comes not only as the redeemer, he comes as the subduer of Antichrist. Only that historian will have the gift of fanning the spark of hope in the past who is firmly convinced that even the dead will not be safe from the enemy if he wins. And this enemy has not ceased to be victorious.”
― Illuminations: Essays and Reflections
― Illuminations: Essays and Reflections
Sonemic
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— last activity Mar 14, 2026 12:46PM
Group for users of the music website Sonemic, also known as RYM or Rate Your Music.
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