Hayden

“Then came "The Song of Darkness," the last of the three songs, and the one most filled with longing and majesty. The soul of Ember was in this song. Its tremendous chords held all the sorrow and all the strength of the people of the city. The song reached its climax: "Darkness like an endless night," sang the hundreds of voices, so powerfully the air seemed to shiver.
And at that moment, the lights once more went out. The voices faltered, but only for an instant. Then they rose again in the darkness, stronger even than before. Lina sang, too. She stood up and sang with all her might into the deep, solid blackness.”
― Jeanne DuPrau

“She had watched other women with infants and eventually understood what she craved: the boundless permission-no, the absolute necessity- to hold and kiss and stroke this tiny person. Cradling a swaddled infant in their arms, mothers would distractedly touch their lips to their babies' foreheads. Passing their toddlers in a hall, mothers would tousle their hair even sweep them up in their arms and kiss them hard along their chins and necks until the children squealed with glee. Where else in life, Mabel wondered, could a woman love so openly and with such abandon?”
― Eowyn Ivey, The Snow Child

“They lifted their faces to the astonishing warmth. The sky arched over them, a pale, clear blue. Lina felt as though a lid that had been on her all her life had been lifted off. Light and air rushed though her, making a song, like the songs of Ember, only it was a song of joy. She looked at Doon and saw that he was smiling and crying at the same time, and she realized that she was, too.”
― Jeanne DuPrau, The City of Ember

“We never know what is going to happen, do we? Life is always throwing us this way and that. That’s where the adventure is. Not knowing where you’ll end up or how you’ll fare. It’s all a mystery, and when we say any different, we’re just lying to ourselves. Tell me, when have you felt most alive?”
― Eowyn Ivey, The Snow Child