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“For the true poet the metaphor is not a rhetorical figure but a representative image that really hovers before him in place of a concept. For him, the character is not a whole laboriously assembled from individual traits, but a person, insistently living before his eyes, distinguished from the otherwise identical vision of the painter by his continuous life and action.”
― The Birth of Tragedy
― The Birth of Tragedy
“If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed. Even though life is often like this—the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage—such events, the warp and woof of everyday life, seem irrelevant, meaningless. They are crude, undigested, unpurged bits of reality—to draw a metaphor from the late J. Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. In fact, we expect to be shown that he is in some way responsible for what happens to him.”
― The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone
― The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone
“Christianity was from the beginning, essentially and fundamentally, life's nausea and disgust with life, merely concealed behind, masked by, dressed up as, faith in "another" or "better" life.”
― The Birth of Tragedy
― The Birth of Tragedy
Casey’s 2025 Year in Books
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