Eric

“Upper lamp on lowest gain glowing down to white sheets and yellow hair and golden skin—so much gold for so little skin—and all of it, the gently rising flat tummy, the wide eyes closed or shielded or hidden, the positively dreamlike sweep of lines from throat to forehead and back again to the partial view of more yellow hair, but tufted, promising more hair and more gold . . . all of it glowing back up into the lamp, shaming it. Shaming me.”
― John Steakley, Armor

“It was her beauty. Curled up on the grass reading, a glass of wine in her hand, she was more painting than real. Her face, in classic profile, was unusually calm and serene and framed with casual perfection by a few golden strands which had slipped free from the luscious whole flowing across her shoulders and halfway down her back. She was wearing a spotlessly white Crew jumpsuit. It provided the fundamental thread linking the necessary contrasts of blue sky/eyes, blonde hair/skin, green grass/trees. The view was a painting. Angel descended among mortals. I was frankly grateful to be there at that instant. For all those who were not, however well or long they had known her or would, had missed it. I could not imagine she would ever, in her strident life, manage to repeat that breathtaking image.”
― John Steakley, Armor

“The word had a depth to it. Late. It was late. All the chances to make things right had somehow passed him. The system was at war, and no one was even sure why. Miller himself was turning fifty years old the next June. It was late. Late to start again. Late to realize how many years he’d spent running down the wrong road. Hasini steered him toward an electric cart the bar kept for occasions like this one. The smell of hot grease came out of the kitchen. “Hold”
― James S.A. Corey, Leviathan Wakes

“There is a stench when somebody wants to fuck your name. It rolled across with the smile,”
― John Steakley, Armor