Armağan

“Every border has a terrible finality. There’s a line, and that’s it. And the train goes across it just as it would go across a dead body, or a live body. And hope is dead, the hope of being sent back once more to France and finding the eyes again and the lips belonging to the eyes, and the heart and the breast, a woman’s breast that must belong to those eyes. That hope is quite dead, completely cut off. For ever and ever those eyes will only be eyes, they will never surround themselves again with body and clothes and hair, no hands, no human hands, no woman’s hands that might one day caress you. That hope had always been there, for after all it was a human being, a living human being, to which those eyes belonged, a girl or a woman. But not now. Now there were only eyes, no lips now, never again a mouth, a heart, never again to feel a living heart under a soft skin beating against your hand, never again … never … never. Sunday morning between Lvov and Kolomyya. Cernauti was far away now, as far as Nikopol and Kishinev. That Soon had narrowed down even more, it was very narrow now. Two days, Lvov, Kolomyya. He knew he might get barely as far as Kolomyya, but certainly no farther. No heart, no mouth, only eyes, only the soul, that unhappy lovely soul that had no body; wedged between two elbows like a witch pinned to her stake before they burn her...”
― Heinrich Böll, The Train Was on Time

“To die,
so young to die.
No, no, not I,
I love the warm sunny skies,
light, song, shining eyes,
I want no war, no battle cry,
No, no, not I.”
― Hannah Senesh

“All we ever see of stars are their old photographs.”
― Alan Moore, Watchmen

“The longer and more carefully we look at a funny story, the sadder it becomes.”
― Nikolai V. Gogol