Didem

“Alright, Colby. How we wanna play this? In through the skylight? Side entrance? Sneak in the back?"
"Are you kidding? Fuck all that shit. Poyo don't sneak.”
― John Layman, Chew, Vol. 6: Space Cakes

“Deconstruction seeks neither to reframe art with some perfect, apt and truthful new frame, nor simply to maintain the illusion of some pure and simple absence of a frame. Rather it shows that the frame is, in a sense, also inside the painting. For the frame is what "produces" the object of art, is what sets it off as an object of art—an aesthetic object. Thus the frame is essential to the work of art; in the work of art. Paint a $5,000 abstract painting on a railroad boxcar and nobody will pay a cent for it. Take a torch, remove the panel of the boxcar, install it in a gallery, and it will be worth $5,000. It will be art because it is now framed by the gallery. But at the same moment that the frame encloses the work in its own protected enclosure, making it a work of art, it becomes merely ornamental—external to the work of art. Thus is the frame central or marginal? Is the frame inside the work of art, essential to it, or outside the work of art, extrinsic to it?”
― James N. Powell, Derrida for Beginners

“The one thing that unites all human beings, regardless of age, gender, religion, economic status, or ethnic background, is that, deep down inside, we all believe that we are above-average drivers.”
― Dave Barry, Dave Barry Turns Fifty

“He wanted to live life in such a way that if a photograph were taken at random, it would be a cool photograph.”
― David Nicholls, One Day