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Cry to Heaven
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The Death Of Bunn...
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Wuthering Heights
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Book cover for The Sirens of Titan
What Beatrice had done with her face, actually, was what any plain girl could do. She had overlaid it with dignity, suffering, intelligence, and a piquant dash of bitchiness.
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R.F. Kuang
“He read the city. London in the 1830s was exploding with print. Newspapers, magazines, journals, quarterlies, weeklies, monthlies, and books of every genre were flying off the shelves, tossed on doorsteps, and hawked from the corners of nearly every street. He pored over newsstand copies of The Times, the Standard, and the Morning Post; he read, though did not fully comprehend, articles in academic journals like Edinburgh Review and Quarterly Review; he read penny satirical papers like Figaro in London, melodramatic pseudo-news like colourful crime reports and a series on the dying confessions of condemned prisoners. For cheaper stuff, he entertained himself with the Bawbee Bagpipe. He stumbled on a series called The Pickwick Papers by someone named Charles Dickens, who was very funny but seemed to hate very much anyone who was not white. He discovered Fleet Street, the heart of London publishing, where newspapers came off the printing presses still hot. He went back there time and time again, bringing home stacks of yesterday’s papers for free from piles that were dumped on the corner. He didn’t understand half of what he read, even if he could decipher all the individual words. The texts were packed with political allusions, inside jokes, slang, and conventions that he’d never learned. In lieu of a childhood spent absorbing it all in London, he tried devouring the corpus instead, tried to plough through references to things like Tories, Whigs, Chartists, and Reformers and memorize what they were. He learned what the Corn Laws were and what they had to do with a Frenchman named Napoleon. He learned who the Catholics and Protestants were, and how the (he thought, at least) small doctrinal differences between the two were apparently a matter of great and bloody importance.”
― R.F. Kuang, Babel

Jean Genet
“It seemed to me as if it were somewhat in the manner of floating, painted dreams, whereas I in my hole, like a larva, went on with a restful nocturnal existence, and at times I had the feeling I was sinking slowly, as into sleep or a lake or a maternal breast or even a state of incest, to the spiritual center of the earth. My periods of happiness were never luminously happy, my peace never what men of letters and theologians call a “celestial peace.” That's as it should be, for I would be horrified if I were pointed at by God, singled out by Him; I know very well that if I were sick, and were cured by a miracle, I would not survive it. Miracles are unclean; the peace I used to seek in the outhouse, the one I am going to seek in the memory of it, is a reassuring and soothing peace.”
― Jean Genet, Our Lady of the Flowers

R.F. Kuang
“London was drab and grey; was exploding in colour; was a raucous din, bursting with life; was eerily quiet, haunted by ghosts and graveyards. As the Countess of Harcourt sailed inland up the River Thames into the dockyards at the beating heart of the capital, Robin saw immediately that London was, like Canton, a city of contradictions and multitudes, as was any city that acted as a mouth to the world. But unlike Canton, London had a mechanical heartbeat. Silver hummed through the city. It glimmered from the wheels of cabs and carriages and from horses’ hooves; shone from buildings under windows and over doorways; lay buried under the streets and up in the ticking arms of clock towers; was displayed in shopfronts whose signs proudly boasted the magical amplifications of their breads, boots, and baubles. The lifeblood of London carried a sharp, tinny timbre wholly unlike the rickety, clacking bamboo that underwrote Canton. It was artificial, metallic – the sound of a knife screeching across a sharpening steel; it was the monstrous industrial labyrinth of William Blake’s ‘cruel Works / Of many Wheels I view, wheel without wheel, with cogs tyrannic, moving by compulsion each other’.* London had accumulated the lion’s share of both the world’s silver ore and the world’s languages, and the result was a city that was bigger, heavier, faster, and brighter than nature allowed. London was voracious, was growing fat on its spoils and still, somehow, starved. London was both unimaginably rich and wretchedly poor. London – lovely, ugly, sprawling, cramped, belching, sniffing, virtuous, hypocritical, silver-gilded London – was near to a reckoning, for the day would come when it either devoured itself from inside or cast outwards for new delicacies, labour, capital, and culture on which to feed.”
― R.F. Kuang, Babel

Elif Shafak
“If wanting to be heard is one side of the coin, the other side is being willing to listen. The two are inextricably connected. When convinced that no one – especially those in places of power and privilege – is really paying attention to our protests and demands we will be less inclined to listen to others, particularly to people whose views differ from ours. Communication across the cultural and ideological spectrum will falter and, eventually, crumble. And when communication is broken, coexistence, inclusion and social harmony will also be damaged. In other words, if perpetuated and made routine, the feeling of being systematically unheard will slowly, gradually, seal our ears, and then seal our hearts. In retracting our willingness to listen to others, we ensure that they, too, feel unheard. And the cycle continues, worsening every time it revolves.”
― Elif Shafak, How to Stay Sane in an Age of Division

Polly Samson
“Leonard is saying, ‘Whenever I hear that a guy writes poetry I feel close to him. You know, I understand the folly.”
― Polly Samson, A Theatre for Dreamers

116287 Maxcode Book Club — 26 members — last activity Oct 26, 2017 04:43AM
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