Status Updates From Artemisia Gentileschi: The ...
Artemisia Gentileschi: The Language of Painting by
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Elise
is on page 182 of 248
[Amongst the author’s summarising paragraphs]
“…artist who in Florence ran up debts on sweet meats…”
SHE WAS MY SISTER FROM ANOTHER MISTER 🙌
— Oct 04, 2024 02:26PM
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“…artist who in Florence ran up debts on sweet meats…”
SHE WAS MY SISTER FROM ANOTHER MISTER 🙌
Elise
is on page 166 of 248
Confused on points about her name here. Apparently Orazio (G’s artist father) was Pisa native, but Artemisia was born in Rome. Presumably father operated under Gentileschi. When in Florence she used family name of Lomi, “which would have been recognisable to Tuscans familiar with relatives Baccio and Aurelio Lomi.” But so should they know Gentileschi anyway? Pisa not that far from Florence?
— Oct 04, 2024 01:14PM
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Elise
is on page 70 of 248
The questions that could be posed were seemingly boundless: Could women make powerful rulers? Were they too capricious & voluble to rule? Were they inherently virtuous or prone to vice? Did they even have souls? Characteristically, Loredan & the Incogniti took up both sides of these issues, rarely with any consistency. More importantly, Venice was one of the few places where women were participants in such debates.
— Sep 21, 2024 08:52PM
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Adonna
is starting
I had great ambition for wanting to read this book after finishing The Passion of Artemisia by Vreeland, but I just didn't have the time. However, it looks like a thorough study of Artemisia's work. Much more of a history and less of an art book.
— Oct 07, 2015 03:50AM
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Jessica
is on page 70 of 248
Such discussions were livelier in Venice than other parts of Italy because a relative intellectual freedom allowed for a more open expression of ideas. The questions that could be posed were seemingly boundless: Could women make powerful rulers? Were they too capricious and voluble to rule? Were they inherently virtuous or prone to vice? Did they even have souls?
— Mar 09, 2015 09:40PM
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