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Keeping an Eye Open: Essays on Art (Vintage International) by
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Ilse
is on page 202 of 276
Braque was like some hilltop castle that Picasso was constantly besieging. He bombards it&each time the smoke clears,the castle is as solid as ever. Thwarted,he declares the site of no strategic interest anyway.Braque,he says, merely has 'charm'; he has gone back to 'French painting', becoming the 'Vuillard of Cubism'.He tells him his pictures are 'well hung.' Braque replies that Picasso's ceramics are 'well cooked'.
— Jun 16, 2026 03:23AM
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Ilse
is on page 195 of 276
Colour was regarded as suspect by classical Cubism: it was 'anecdotical', it blurted, it carried too much information, it distracted from the pursuit of form. So it had to be whipped into line - literally: that old French battle between colour and line was now taking a new turn. By 1910-1911 you could have any colour you liked, so long as it was grey, brown or beige.
— Jun 12, 2026 04:12AM
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