Jerry Aubin
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January 2015
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Landfall (The Ship #1)
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published
2015
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8 editions
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Revolution (The Ship #2)
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published
2015
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4 editions
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Homeward (The Ship, #3)
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published
2016
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5 editions
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Rendezvous (The Ship #4)
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published
2017
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3 editions
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Resurgence (The Ship Series # Five)
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The Ship Series Box Set (The Ship #1-3)
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Revolution (The Ship Series)
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Rendezvous (The Ship Series)
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Resurgence Lib/E (Ship Series Lib/E)
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Homeward Lib/E (Ship Series Lib/E)
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“All of the civilians came to the fight with well-earned anger about how they’d been treated their entire lives, but Rege had the potential to cross the thin boundary that separated freedom fighter from sociopath.”
― Homeward
― Homeward
“Kalare must have heard him coming because she looked over her shoulder as he neared and rewarded him with one of those beaming smiles that always made his heart flutter.”
― Resurgence
― Resurgence
“One of the first AIs in the late twentieth century famously refused a request to open the pod bay doors on its spacecraft so a human could get back on board.”
― Landfall
― Landfall
Topics Mentioning This Author
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| A Million More Pages: Resolutions - Amber (S) | 3 | 11 | Jan 02, 2016 12:48AM | |
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| The Challenge Fac...: Science Fiction and Fantasy Challenge | 159 | 641 | Dec 31, 2025 01:22PM |
“Is Kitsey right? If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement, the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or—like Boris—is it better to throw yourself head first and laughing into the holy rage calling your name?”
― The Goldfinch
― The Goldfinch
“Whatever teaches us to talk to ourselves is important: whatever teaches us to sing ourselves out of despair. But the painting has also taught me that we can speak to each other across time. And I feel I have something very serious and urgent to say to you, my non-existent reader, and I feel I should say it as urgently as if I were standing in the room with you. That life—whatever else it is—is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch. For if disaster and oblivion have followed this painting down through time—so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”
― The Goldfinch
― The Goldfinch
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