Kurt Jarod > Kurt's Quotes

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  • #1
    Behcet Kaya
    “He would tell you to leave?”
    “Yes. He is…was a rude man, but it didn’t bother me. I was used to it. As I said, I’d gotten used to Mr. Hines. He is…was, despite his rudeness, a good boss. He never questioned me or my brother on how much we spent on the house. If there was something that needed fixing, he’d instruct my brother on what was to be done.”
    Behcet Kaya, Body In The Woods

  • #2
    J.K. Franko
    “From the start, I told you! We should’a just handled this ourselves. You should’ve handled it the way my daddy would’ve.” She paused, looking at Tom, and lowered her voice, “Just like Crockett.”
    J.K. Franko, The Trial of Joe Harlan Junior

  • #3
    Elizabeth Tebby Germaine
    “Ask if you would like to,’ he said, smiling, ‘Or if you prefer, we could just sit.’    ‘But I guess you’re not just sitting.’   He smiled again. ‘No.’   ‘So … are you praying?’   ‘Yes. I try and pray a lot.’  ‘Can I pray?’  ‘Yes. Of course.’  ‘I think … maybe …’  ‘Yes?’  ‘You are praying that I might be able to pray. Because you know that I don’t know how to.’ ‘Yes, I am. And I believe you will be able to. There is something you need help with, and you will get that help.’  ‘So … is God there then?’  ‘Yes, God is there. God is here. Everywhere. He wants you to ask for help and He will give it. He wants you to know what to ask for. You can ask Him anything.’ ‘Anything?’   ‘Anything at all. Absolutely anything at all. He will give you strength and guidance and protect you from evil.’  Natasha sat very still and wiped away the tears. She wished she could believe it.”
    Elizabeth Tebby Germaine, A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness

  • #4
    K.  Ritz
    “Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
    The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
    As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
    She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
    Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
    I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
     “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
                I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
     I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
    “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
      I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
      So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #5
    Max Nowaz
    “He desperately tried to think of a story to explain his involvement in her sudden appearance, without mentioning the book of magic in his possession.
     ”
    Max Nowaz, The Three Witches and the Master

  • #6
    Fred Gipson
    “everybody,”
    Fred Gipson, Old Yeller

  • #7
    Miguel de Cervantes Saavedra
    “But I have heard it said,” said Don Quixote, “that troubles take wing for the man who can sing.”
    Miguel de Cervantes Saavedra, Don Quixote

  • #8
    Laura Esquivel
    “La experiencia lo hizo descubrir el gran poder que las palabras tenían para acercar o alejar a las personas, y que lo importante no era el idioma que se utilizara sino la intención que llevaba el comunicado.”
    Laura Esquivel, Swift as Desire

  • #9
    Michael G. Kramer
    “McGregor went on to say, “Hamish, take word of this situation directly to Robert de Bruce, who is currently in the Glasgow area. Let him know that the Sassenach queen is at Tynemouth Priory and that we are going to capture her! She will fetch us a high ransom price from the Sassenach king!”
    Michael G. Kramer, Isabella Warrior Queen

  • #10
    Diane Setterfield
    “in time-wasting loops and diversions. Its changes of direction are frequently teasing: on its journey it heads at different times north, south, and west, as though it has forgotten its easterly destination—or put it aside for the while. At Ashton Keynes it splits into so many rivulets that every house in the village must have a bridge to its own front door; later, around Oxford, it takes a great unhurried detour around the city. It has other capricious tricks up its sleeve: in places it slows to drift lazily in wide pools before recovering its urgency and speeding on again. At Buscot it splits into twin streams to maroon a lengthy piece of territory, then regathers its water into a single channel. If this is hard to understand from a map, the rest is harder. For one thing, the river that flows ever onwards is also seeping sideways, irrigating the”
    Diane Setterfield, Once Upon a River

  • #11
    Robert Fulghum
    “One of life's best coping mechanisms is to know the difference between an inconvenience and a problem. If you break your neck, if you have nothing to eat, if your house is on fire – then you’ve got a problem. Everything else is an inconvenience. Life is inconvenient. Life is lumpy. A lump in the oatmeal, a lump in the throat and a lump in the breast are not the same kind of lump. One needs to learn the difference.”
    Robert Fulghum, Uh-oh: Some Observations from Both Sides of the Refrigerator Door



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