Persuasion Novel Quotes

“It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again.

This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.”
― Christopher Hitchens, Hitch 22: A Memoir

“he said he found some of Jane Austen’s heroines a touch effervescent for his taste – not Emma, of course not Emma – preferring Anne Elliot, no, loving, really loving Anne Elliot.”
― Howard Jacobson, The Finkler Question

“Persuasion begins where proof ends.”
― John A. Palumbo

“Louisa Musgrove is an idiot.”
― Vaishnavi Nair K., Aided By Austen

“Persuasion?"
"I grabbed it this morning. Can we read it next?" Jane's eyes were still closed.
I ran my hand over the cover. "Why not? I could use a happy ending."
"Austen always gives us that."
"True, but she gave us more in this one. This one's the real deal."
And for me it was. Without ever losing sight or diminishing Anne's reality and social limitations, Austen gave her and all of us the soft, steady hope of second chances, happiness, true love, and the promise that life might be better close to thirty than it was at eighteen. It was also an ending that didn't arrive with a ball and bow, but shot straight to the heart with the accuracy and power of a tipped arrow. And, as I visualized my face cream collection, we got to look better too. After all, Anne was a "very pretty girl" at eighteen. I contend she looked even better when her "bloom" returned.”
― Katherine Reay, Lizzy and Jane

“It's actually Jane Austen who pushes Louisa Musgrove off the slippery rocks.”
― Diane Johnson, Writers on Writing: Collected Essays from The New York Times