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The biggest thing we now learn about sex from the web is this: it happens in front of a camera.
“You’re convinced everything would be fine if we lived together. If only we could. But you live in a world I don’t recognize. What a halcyon glow our childhood must have for you.”
― Of Dogs and Walls
― Of Dogs and Walls
“How did we, how could we have thought we could just leave? Who do we think we are? All it is, is we brought ourselves with us … The horses and the whales and the old women and the sick babies. They’re just us, we’re them, they’re here.”
― A Fisherman of the Inland Sea
― A Fisherman of the Inland Sea
“Suddenly I was crying. It was already love.”
― Água Viva
― Água Viva
“Oh, I’m burning! I wish I were out of doors! I wish I were a girl again, half savage and hardy, and free; and laughing at injuries, not maddening under them! Why am I so changed? why does my blood rush into a hell of tumult at a few words? I’m sure I should be myself were I once among the heather on those hills. Open the window again wide: fasten it open!”
― Wuthering Heights
― Wuthering Heights
“Time after time, the villain in Hollywood films will turn out to be the 'evil corporation'. Far from undermining capitalist realism, this gestural anti-capitalism actually reinforces it. Take Disney/ Pixar's Wall-E (2008). The film shows an earth so despoiled that human beings are no longer capable of inhabiting it. We're left in no doubt that consumer capitalism and corporations - or rather one mega-corporation, Buy n Large - is responsible for this depredation; and when we see eventually see the human beings in offworld exile, they are infantile and obese, interacting via screen interfaces, carried around in large motorized chairs, and supping indeterminate slop from cups. What we have here is a vision of control and communication much as Jean Baudrillard understood it, in which subjugation no longer takes the form of a subordination to an extrinsic spectacle, but rather invites us to interact and participate … But this kind of irony feeds rather than challenges capitalist realism. A film like Wall-E exemplifies what Robert Pfaller has called 'interpassivity': the film performs our anti-capitalism for us, allowing us to continue to consume with impunity.”
― Capitalist Realism: Is There No Alternative?
― Capitalist Realism: Is There No Alternative?
bella’s 2025 Year in Books
Take a look at bella’s Year in Books, including some fun facts about their reading.
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