Katey BC

“What one finds in Jewish storytelling, though, is something really different: a kind of realism that comes from humility, from the knowledge that one cannot be true to the human experience while pretending to make sense of the world.”
― Dara Horn, People Love Dead Jews: Reports from a Haunted Present

“...(O)ver four generations, the Soviet regime forced Jews to participate in and internalize their own humiliation--and in that way, Ala suggested, they destroyed far more souls. And they never, ever paid for it.

"They never had a Nuremberg," Ala told me that day, with a quiet fury. "They never acknowledged the evil of what they did. The Nazis were open about what they were doing, but the Soviets pretended. They lured the Jews in, they baited them with support and recognition, they used them, they tricked them, and then they killed them. It was a trap. And no one knows about it, even now. People know about the Holocaust, but not this. Even here in Israel, people don't know. How did you know?”
― Dara Horn, People Love Dead Jews: Reports from a Haunted Present

“Poverty is an apocalypse in slow motion, inexorable and generational. Sometimes a personal apocalypse, sometimes one that ruins a whole community. It isn’t a single event of biblical proportions, but it is a series of encounters with one or more of the fabled Four Horsemen.”
― Mikki Kendall, Hood Feminism: Notes from the Women That a Movement Forgot

“Lauterpacht's intellectual development coincided with this crucial moment. Engaged n Zionist activity, he nevertheless feared nationalism. The philosopher Martin Buber, who lectured and led in Lemberg became an intellectual influence, opposing Zionism as a form of abhorrent nationalism and holding to the view that a Jewish state in Palestine would inevitably oppress the Arab inhabitants. Lauterpacht attended Buber's lectures and found himself attracted to such ideas, identifying himself as a disciple of Buber's. This was an early fluting of skepticism about the power of the state.”
― Philippe Sands, East West Street: On the Origins of "Genocide" and "Crimes Against Humanity"