Keith
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The Hieroglyphic ...
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"INTRODUCTION" Jan 10, 2026 09:05AM

 
Thus Spake Zarath...
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"3. Zarathustra's Prologue" 19 hours, 25 min ago

 
Monas Hieroglyphica
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Keith Keith said: " I don't actually have this book in hand, but the text is included in Burns' YouTube videos, so I'm functionally reading along. Can't really track the page numbers tho. ...more "

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"THEOREM VII" 11 hours, 56 min ago

 
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Nicholas Goodrick-Clarke
“The risk of racist religiosity are great. By projecting grievances, fears and anxieties onto the 'shadow' figures of other races, religious transcendence is stunted and perverted into the dynamics of delusion and hatred. Instead of genuine spirituality, there is partiality, separation, restriction. A rigid self-righteousness leads down into the spiritual basement of a primitive dualism, where pseudo-salvation depends on elimination of the Other. The political projection of religious Manichaeism onto human differences inevitably leads to strife and violence. Whenever human groups are interpreted as absolute categories of good and evil, light and darkness, both the human community and humanity itself are diminished. Such degraded religion never leads to light but only to darkness.”
Nicholas Goodrick-Clarke, Black Sun: Aryan Cults, Esoteric Nazism, and the Politics of Identity

Plato
“But he who, having no touch of the Muses' madness in his soul, comes to the door and thinks that he will get into the temple by the help of art—he, I say, and his poetry are not admitted; the sane man disappears and is nowhere when he enters into rivalry with the madman.”
Plato, Phaedrus

Colin Wilson
“It is impossible to understand Crowley. unless we grasp that, like Madame Blavatsky and Mathers and Yeats and Florence Farr, he took magic as seriously as Lord Rutherford took atomic physics. Literarym commentators often make the same mistake about Yeats: that he regarded magic as a romantic exercise in suspension of disbelief. Yeat's [sic] magical notebooks reveal this to have been untrue; they go into overwhelming detail about magical procedures and symbols and show that he continued to be obsessed by it long after he ceased to be a member of the Golden Dawn.”
Colin Wilson, Aleister Crowley: The Nature of the Beast

“The space (nam-mkha') or dimension (dbyings) or expance (klong) of the Dharmakaya provides room for all possible manifestations of phenomena to arise without obstruction. Thus, the literal significance of Dharmakaya (chos-sku) is not "body," such as "Truth Body" or "Law Body," as some would treanslate it, but the dimension (sku, Skt. kāya) of all existence (chos, Skt. dharma). Dharma is what exists, that is, "reality"; and, therefore, it is also the teaching about what really exists. The term kāya (sku) means not only "body" in the ordinary physical sense, but the entire manifest dimension of the individual.”
John Myrdhin Reynolds, The Golden Letters: The Tibetan Teachings of Garab Dorje, First Dzogchen Master

Paul Fussell
“Guitars (except when played in "classical"—that is, archaic—style) are low [status] by nature, and that is why they were so often employed as tools of intentional class degradation by young people in the 1960s and '70s. The guitar was the perfect instrument for the purpose of signaling these young people's flight from the upper-middle and middle classes, associated as it is with Gypsies, cowhands, and other personnel without inherited or often even earned money and without fixed residence.”
Paul Fussell, Class: A Guide Through the American Status System

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