Explosivecuber

“There was a small raised stage set up in front of them, with a podium and four chairs. Behind the chairs a screen was suspended; projected on it was a larger-than-life picture of Michael. It was a close-up, just his face. It was not the most flattering picture: His head was thrown back at an odd angle, his mouth open in laughter, but it was perfect—a joyful moment, snatched up and kept, not curated. He looked happy. “Darn it,” Marla said softly. Charlie looked at her. She was dabbing at her eyes with a tissue. Charlie put an arm around her. “I know,” she said. The sound system came on suddenly with a whine that slowly faded. Four people walked onstage: a heavyset man in a suit who went straight to the microphone, an elderly woman, and a couple, a man and a woman. The man in the suit stepped up to the podium, and the elderly woman sat down in one of the four chairs. The couple stayed back, but they did not sit. Charlie knew they must be Michael’s parents, but she did not recognize them. When she was young they had just been parents, a species that was for the most part unremarkable. She realized suddenly that she didn’t even know their names; Michael’s parents had not gone out of their way to interact with their son’s friends, and Charlie had literally spoken to them as “Michael’s mom,” and “Michael’s dad,” as if those were appropriate forms of address. The man at the podium introduced himself as the school’s principal. He said a few things about loss and community and the fleeting preciousness of youth. He talked briefly about Michael’s kindness, his artistic talent, and the impression he made, even as a small child, on everyone he”
― Scott Cawthon, The Silver Eyes