Paul Hasbrouck

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Sweeney Todd: The...
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Martin Edwards
“In an extraordinarily bold move, Carr allows Fell in chapter seventeen [in, The Hollow Man by John Dickson Carr (1935)] to address the reader directly, giving a disquisition on the lockedroom mystery that has often been reprinted as an essay on the subject: ‘We’re in a detective story, and we don’t fool the reader by pretending we’re not . . . Let’s candidly glory in the noblest pursuit possible to characters in a book . . . When I say that a story about a hermetically sealed chamber is more interesting than anything else in detective fiction, that’s merely prejudice. I like my murders to be frequent, gory, and grotesque. I like some vividness of colour and imagination flashing out of my plot, since I cannot find a story enthralling solely on the grounds that it sounds as though it might really have happened.’ Fell proceeds to offer an analysis of different types of locked-room scenarios so impressively detailed that it has never been surpassed.”
Martin Edwards, The Story of Classic Crime in 100 Books

H.P. Lovecraft
“It is said that in Ulthar, which lies beyond the river Skai, no man may kill a cat; and this I can verily believe as I gaze upon him who sitteth purring before the fire. For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroë and Ophir. He is the kin of the jungle’s lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten.”
H.P. Lovecraft, The Cats of Ulthar

John Dickson Carr
“My only claim to distinction among writers is that I do not believe my life contains any materials for a novel. I have prowled around Limehouse and the gamiest sections of Paris, but I have never yet seen (a) a really choice murder in a locked room, (b) a mysterious mastermind or (c) a really good‐looking adventuress with slant eyes.”
John Dickson Carr

H. Beam Piper
“...you know what English is? The result of the efforts of Norman men-at-arms to make dates with Saxon barmaids.”
H. Beam Piper, Fuzzy Sapiens

John Dickson Carr
“To write good history is the noblest work of man.”
John Dickson Carr

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