Pepitoya

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The Highly Sensit...
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رحلة الدم
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Leïla Slimani
“Devenir une femme est un parcours semé d'humiliations. Face à la police, face à la justice comme dans l'espace public, être une femme est un inconvénient. Comme l'écrivait le romancier turc Livaneli dans son roman Délivrance (Gallimard), 'dans toute la Méditerranée, la notion d'honneur se situe entre les jambes des femmes.' Un poids bien lourd à porter pour la moitié de la population. Idéalisée, mythifiée, la virginité est évidemment un outil de coercition destiné à garder les femmes chez elles et à exercer sur elles une surveillance de tous les instants. Elle est un objet de préoccupation collective au lieu d'être une question d'ordre privé. Elle est aussi devenue une manne économique pour tous ceux qui pratiquent des dizaines de reconstitutions d'hymen chaque jour et pour certains laboratoires qui commercialisent de faux hymens, censés saigner le jour du rapport sexuel. La misère sexuelle, nous le verrons, est un capitalisme comme un autre.”
Leïla Slimani, Sexe et mensonges: La vie sexuelle au Maroc

Yasmina Khadra
“Every Jew in Palestine is a bit of an Arab, and no Arab in Israel can deny that he's a little Jewish.”
Yasmina Khadra, The Attack

Yasmina Khadra
“In Jerusalem, people are very cautious in the morning, out of superstition: The first words and deeds at dawn, it's said, usually shape the rest of the day.”
Yasmina Khadra, The Attack

Yasmina Khadra
“This room was our ivory tower, Sihem and mine. No one else was ever admitted here. Sometimes we'de come here to commune with our silence and reactivate our senses, dulled and blunted by the noises of every day. We'd bring a book or put on some music, and then we were off. We read Kafka as well as Khalil Gibran, and listened to Oum Kalthoum and Pavarotti with the same grattitude....”
Yasmina Khadra, The Attack

Yasmina Khadra
“I moved from one part of the city to another as though turning from an Ashkenazi fable to a Bedouin tale, with equal delight, and I didn't need to be a conscientious objector to distrust policies requiring armed struggle and sermons based on hatred. Gazing upon Jerusalem's sacred structures was enough to persuade me to oppose everything that might injure their enduring grandeur. And still today, beneath its surface holiness, the city is like an odalisque longing for her lover, ready to burst into sensuous joy. It frowns unhappily upon the uproar of its citizens, hoping against hope that enlightenment may come and deliver their minds from their dark torment. By turns Olympus and ghetto, muse and concubine, temple and arena, Jerusalem suffers from an inability to inspire poems without inflaming passions. It's crumbing, heavyhearted, breaking up like its prayers amid the blasphemy of guns....”
Yasmina Khadra, The Attack

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