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A Song Begins
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After the Future
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The Signatory
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by Kirk Marshall (Goodreads Author)
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Book cover for The Razor's Edge
“I want to make up my mind whether God is or God is not. I want to find out why evil exists. I want to know whether I have an immortal soul or whether when I die it’s the end.”
Raymond
...still.
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Grafton Tanner
“It is a confounding and eerie sensation to feel social while alone, thronged with invisible entities whose presence is felt yet who appear wholly absent. These entities are our twenty-first-century ghosts, shorn from their corporeal shells and set loose to glide through cyberspace at lightning speed and with startling precision. We call to one another in the darkness of the Internet, reuniting with hosts of friends and followers, but the act is all theater. There is nothing there in the dark except the dead gaze of a copy.”
― Grafton Tanner, Babbling Corpse: Vaporwave And The Commodification Of Ghosts

Alan Moore
“I’ve been dog rough, half blind and barking mad for years but you don’t catch me going on about it.”
― Alan Moore, Jerusalem

Alan Moore
“Alma had told him once that to smell burning was a symptom schizophrenics suffered from, adding “but then they probably set fire to things quite often, so it’s bound to be a tricky judgement call.”
― Alan Moore, Jerusalem

Alan Moore
“He never looks at comics these days, even though they’ve become fashionable to the point where adults are allowed to read them without fear of ridicule. Ironically, in David’s view, this makes them a lot more ridiculous than when they were intended as a perfectly legitimate and often beautifully crafted means of entertaining kids. At age thirteen, David’s idea of heaven was somewhere that comics were acclaimed and readily available, perhaps with dozens of big budget movies featuring his favourite obscure costumed characters. Now that he’s in his fifties and his paradise is all around him he finds it depressing. Concepts and ideas meant for the children of some forty years ago: is that the best that the twenty-first century has got to offer? When all this extraordinary stuff is happening everywhere, are Stan Lee’s post-war fantasies of white neurotic middle-class American empowerment really the most adequate response?”
― Alan Moore, Jerusalem

Christopher Ruocchio
“Dangerous things, names. A kind of curse, defining us that we might live up to them, or giving us something to run away from.”
― Christopher Ruocchio, Empire of Silence

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