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“For the burglar, every building is infinite, endlessly weaving back into itself through meshed gears made of fire escapes and secondary stairways, window frames and screened-in porches, pet doors and ventilation shafts, everything interpenetrating, everything mixed together in a fantastic knot. Rooms and halls coil together like dragons inside of dragons or snakes eating their own tails, rooms opening onto every other room in the city. For the burglar, doors are everywhere. Where we see locks and alarms, they see M. C. Escher.”
― A Burglar's Guide to the City
― A Burglar's Guide to the City
“In one sense, burglars seem to understand architecture better than the rest of us. They misuse it, pass through it, and ignore any limitations a building tries to impose. Burglars don’t need doors; they’ll punch holes through walls or slice down through ceilings instead. Burglars unpeel a building from the inside out to hide inside the drywall (or underneath the floorboards, or up in the trusses of an unlit crawl space). They are masters of architectural origami, demonstrating skills the rest of us only wish we had, dark wizards of cities and buildings, unlimited by laws that hold the rest of us in.”
― A Burglar's Guide to the City
― A Burglar's Guide to the City
“Elmore Leonard's Ten Rules of Writing
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said”…he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it.”
―
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said”…he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it.”
―
“You are not special. You're not a beautiful and unique snowflake. You're the same decaying organic matter as everything else. We're all part of the same compost heap. We're all singing, all dancing crap of the world.”
― Fight Club
― Fight Club
“That is my principal objection to life, I think: It's too easy, when alive, to make perfectly horrible mistakes.”
― Deadeye Dick
― Deadeye Dick
Hard Case Crime
— 798 members
— last activity Aug 25, 2024 11:31PM
"They do write 'em like they used to." —Publishers Weekly on Fade to Blonde Look for a similar group on Facebook ...more
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"Interested in history - then you have found the right group". The History Book Club is the largest history and nonfiction group on Goodread ...more
The Brain and Mind
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— last activity Sep 25, 2026 01:19PM
This is a group for readers to recommend and discuss books related to real and/or artificial brains. Categories include but are not limited to: neuros ...more
Brain Science Podcast
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— last activity Dec 25, 2021 06:44AM
This is a discussion forum for fans of the Brain Science Podcast. The Brain Science Podcast is "for everyone who has a brain;" which hopefully include ...more
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For people that simply love true crime stories and want to connect with others that share a common interest.
Tyler’s 2025 Year in Books
Take a look at Tyler’s Year in Books, including some fun facts about their reading.
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