Nathan

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Formalized Music:...
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Franz Kafka
“I was heading for the city in the south, of which they used to say in our village:
‘There are people for you! Just think—they never go to sleep!’
‘And why don’t they?’
‘Because they’re fools.’
‘Don’t fools get tired, then?’
‘How could fools get tired?”
Franz Kafka, The Complete Stories
tags: odd

Theodor W. Adorno
“They [the critics] deal with Schoenberg’s early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.”
Theodor W. Adorno, Essays on Music

“For the most basic assumption that dictated my early attempts to respond to creative music commentary was the mistaken belief that western journalists had some fundamental understanding of black creativity—or even western creativity—but this assumption was seriously in error.”
Anthony Braxton, The Tri-Axium Writings

Aleksandr Solzhenitsyn
“The earlier, the more fun. Why put it off? It’s the atomic age!”
Aleksandr Solzhenitsyn, Cancer Ward

Franz Kafka
“When one has apparently made up one’s mind to spend the evening at home and has donned one’s house-jacket and sat down at the lamplit table after supper and do the particular job or play the particular game on completion of which one is in the habit of going to bed, when the weather out is so unpleasant as to make staying in the obvious choice, when one has been sitting quietly at the table for so long already that one’s leaving must inevitably provoke general astonishment, when the stairwell is in any case in darkness and the street door locked, and when in spite of all this one stands up, suddenly ill at ease, changes one’s coat, reappears immediately in street clothes, announces that one has to go out and after a brief farewell does so, feeling that one has left behind one a degree of irritation commensurate with the abruptness with which one slammed the apartment door, when one then finds oneself in the street possessed of limbs that respond to the quite unexpected freedom one has procured for them with out-of-the-ordinary agility, when in the wake of this one decision one feels capable, deep down, of taking any decision, when one realizes with a greater sense of significance than usual that one has, after all, more ability than one has need easily to effect and endure the most rapid change, and when in this frame of mind one walks the long city streets—then for that evening one has stepped completely outside one’s family, which veers into inessentiality, while one’s own person, rock solid, dark with definition, thighs thrusting rhythmically, assumes it true form.
The whole experience is enhanced when at that late hour one looks up a friend to see how he is.”
Franz Kafka, The Complete Stories

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