kaufmasks

“Suddenly we could all hear, we could all listen, and instead of being caught up in our finite little balls of bullshit, we could all become players in that great universal orchestra again.”
― Anthony Kiedis, Scar Tissue

“Music Doesn’t Need Interpreters and Translators”
― Ellen J. Barrier

“Jess Pepper's review of the Avalon Strings:

'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan.

To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power.

Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist.

The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within.

But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water.

And with its fading went also the music of the fabled isle.

Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled.

But I tell you, Kind Reader, that the music of Avalon lives. The spirit that enchanted knights in chain mail long eons ago is reborn in our fair city, in our own small band of fair maids who tap that legendary spirit to make music as the Avalon Strings.

Theirs is no common gift. Theirs is no ordinary sound. It is driven by a fire from within, borne on fingers bloodied by repetition. Minds tormented by a thirst for perfection.

And most startling of all is the voice that rises above, the stunning virtuoso whose example leads her small company to higher planes.
Could any other collection of musicians achieve the heights of this illustrious few? I think not.

I believe, Friends of the City, that when we witnes their performance, as we may almost nightly at the Warwick Hotel, we witness history's gift to this moment in time. And for a few brief moments in the presence of these maids, we witness the fiery spirit that endured and escaped the obliterating mists of Avalon.”
― Bailey Bristol, The Devil's Dime

“Everywhere was the atmosphere of a long debauch that had to end; the orchestras played too fast, the stakes were too high at the gambling tables, the players were so empty, so tired, secretly hoping to vanish together into sleep and ... maybe wake on a very distant morning and hear nothing, whatever, no shouting or crooning, find all things changed.”
― Malcolm Cowley, Exile's Return: A Literary Odyssey of the 1920s