Dan Becker

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Annihilation
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by Jeff Vandermeer (Goodreads Author)
Reading for the 2nd time
read in October 2014
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  (page 177 of 195)
Nov 29, 2025 01:46AM

 
Instrumental: A M...
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  (page 81 of 304)
Nov 20, 2025 03:13PM

 
Why Poetry
Dan Becker is currently reading
by Matthew Zapruder (Goodreads Author)
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  (page 87 of 256)
Oct 26, 2025 04:42PM

 
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William Kenower
“Endings are where you remember what you actually have. When you come to the end of a story, when you accept that the story did for you what it could, when you let it find its proper conclusion, you often experience a short period of something that feels like sadness. Except it isn’t sadness. In the noisy hurly-burly of your nonwriting life, you’ve mistaken the natural quietness at a story’s end for sadness.”
William Kenower, Fearless Writing: How to Create Boldly and Write with Confidence

Elizabeth Gilbert
“In conclusion, then, art is absolutely meaningless. It is, however, also deeply meaningful. That’s a paradox, of course, but we’re all adults here, and I think we can handle it. I think we can all hold two mutually contradictory ideas at the same time without our heads exploding. So let’s give this one a try. The paradox that you need to comfortably inhabit, if you wish to live a contented creative life, goes something like this: “My creative expression must be the most important thing in the world to me (if I am to live artistically), and it also must not matter at all (if I am to live sanely).” Sometimes you will need to leap from one end of this paradoxical spectrum to the other in a matter of minutes, and then back again. As I write this book, for instance, I approach each sentence as if the future of humanity depends upon my getting that sentence just right. I care, because I want it to be lovely. Therefore, anything less than a full commitment to that sentence is lazy and dishonorable. But as I edit my sentence—sometimes immediately after writing it—I have to be willing to throw it to the dogs and never look back. (Unless, of course, I decide that I need that sentence again after all, in which case I must dig up its bones, bring it back to life, and once again regard it as sacred.) It matters./It doesn’t matter. Build space in your head for this paradox. Build as much space for it as you can. Build even more space. You will need it. And then go deep within that space—as far in as you can possibly go—and make absolutely whatever you want to make.”
Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

Oliver Burkeman
“the world has an effectively infinite number of experiences to offer, so getting a handful of them under your belt brings you no closer to a sense of having feasted on life’s possibilities.”
Oliver Burkeman, Four Thousand Weeks: Time Management for Mortals

William Kenower
“Yet even once I left that job and lived for a while without the need for that work, I did not feel free—at least not all the time. So I began looking at those moments I did feel free. I felt free while I was writing;”
William Kenower, Fearless Writing: How to Create Boldly and Write with Confidence

Edward Slingerland
“Our excessive focus in the modern world on the power of conscious thought and the benefits of willpower and self-control causes us to overlook the pervasive importance of what might be called “body thinking”: tacit, fast, and semiautomatic behavior that flows from the unconscious with little or no conscious interference. The result is that we too often devote ourselves to pushing harder or moving faster in areas of our life where effort and striving are, in fact, profoundly counterproductive. This is because the problem of choking or freezing up extends far beyond sports or artistic performance.”
Edward Slingerland, Trying Not to Try: Ancient China, Modern Science, and the Power of Spontaneity

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