Timber

“Well,’ I said, ‘Paris is old, is many centuries. You feel, in Paris, all the time gone by. That isn’t what you feel in New York — ’He was smiling. I stopped.
‘What do you feel in New York?’ he asked.
‘Perhaps you feel,’ I told him, ‘all the time to come. There’s such power there, everything is in such movement. You can’t help wondering—I can’t help wondering—what it will all be like—
many years from now.”
― James Baldwin, Giovanni’s Room

“The English language is like London: proudly barbaric yet deeply civilised, too, common yet royal, vulgar yet processional, sacred yet profane. Each sentence we produce, whether we know it or not, is a mongrel mouthful of Chaucerian, Shakespearean, Miltonic, Johnsonian, Dickensian and American. Military, naval, legal, corporate, criminal, jazz, rap and ghetto discourses are mingled at every turn. The French language, like Paris, has attempted, through its Academy, to retain its purity, to fight the advancing tides of Franglais and international prefabrication. English, by comparison, is a shameless whore.”
― Stephen Fry, The Ode Less Travelled: Unlocking the Poet Within

“When Hitler marched
across the Rhine
To take the land of France,
La dame de fer decided,
‘Let’s make the tyrant dance.’
Let him take the land and city,
The hills and every flower,
One thing he will never have,
The elegant Eiffel Tower.
The French cut the cables,
The elevators stood still,
‘If he wants to reach the top,
Let him walk it, if he will.’
The invaders hung a swastika
The largest ever seen.
But a fresh breeze blew
And away it flew,
Never more to be seen.
They hung up a second mark,
Smaller than the first,
But a patriot climbed
With a thought in mind:
‘Never your duty shirk.’
Up the iron lady
He stealthily made his way,
Hanging the bright tricolour,
He heroically saved the day.
Then, for some strange reason,
A mystery to this day,
Hitler never climbed the tower,
On the ground he had to stay.
At last he ordered she be razed
Down to a twisted pile.
A futile attack, for still she stands
Beaming her metallic smile.”
― E.A. Bucchianeri, Brushstrokes of a Gadfly

“Dangerous as a lightning strike, as lethal as a pair of crisscrossing short swords, William whispered, “You’re about to find out how your liver tastes, my friend.”

“I have tasted it already,” Zacharel said, his voice its usual monotone. The snowflakes began to fall in earnest, tiny at first, but growing in diameter. An arctic wind blustered around him. “It was a bit salty.”

How the hell was a guy supposed to respond to that?

Apparently William didn’t know, either, because he gaped at the angel. Then, “Maybe if you added a little pepper?”

O-kay. It was official. William had an answer for everything.”
― Gena Showalter, The Darkest Seduction