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Alenka Zupančič
“The unconscious desire is not the content of the hidden message, it is the active designer of the form that latent thoughts get in a dream. This is why the key in psychoanalysis is not a key to a hidden meaning, but the key that “unlocks” this form itself (makes what has been associated to compose the hidden meaning dissociate). And this is what “the right word” does.”
Alenka Zupančič, What IS Sex?

Coco Chanel
“I don't do fashion, I AM fashion.”
Coco Chanel

Alenka Zupančič
“In short: the common ground shared by psychoanalysis and science is nothing other than the Real in its absolute dimension, but they have different ways of pursuing this Real.”
Alenka Zupančič, What IS Sex?

Alenka Zupančič
“It is not out of (false or sincere) modesty that Lacan says “I learn everything from my analysands,” “I borrow my interventions from them.” Rather, this is a procedure, a method that is carefully thought out, and actually recalls Hegel’s warning, in the Preface to the Phenomenology of Spirit, against the kind
of (philosophical) proceeding which concerns itself only with aims and results, with differentiating and passing judgments on things. This kind of activity, says Hegel, instead of getting involved with the thing, is always-already beyond it; instead of tarrying with it, and being preoccupied with it, this kind of knowing remains essentially preoccupied with itself. The proximity of “practicing analyst” Lacan and “speculative philosopher” Hegel on these questions of method should be enough to prevent any hasty conclusions drawn in terms of theory versus practice, philosophy versus antiphilosophy, or singular versus universal.”
Alenka Zupančič, What IS Sex?

Alenka Zupančič
“When I talk about a “fundamental contradiction” I am not referring to some contradiction buried deep down in the foundation of things, and influencing them from there. Contradiction is “fundamental” in the sense that it is persistent, and repeating—yet always in concrete situations, on the surface of things and in the present. It is by engaging with it in these concrete situations that we work with the “fundamental contradiction.” Contradiction is not something that we simply have to accept and “make do with”; it can become, and be “used” as, the source of emancipation from the very logic dictated by this contradiction. This is what analysis ideally leads to: contradiction does not simply disappear, but the way it functions in the discourse structuring our reality changes radically. And this happens as a result of our fully and actively engaging in the contradiction, taking our place in it.”
Alenka Zupančič, What IS Sex?

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