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“I'm so scared of dying without ever being really seen. Can you understand?”
― Infinite Jest
― Infinite Jest
“Kate Gompert’s always thought of this anhedonic state as a kind of radical abstracting of everything, a hollowing out of stuff that used to have affective content. Terms the undepressed toss around and take for granted as full and fleshy—happiness, joie de vivre, preference, love—are stripped to their skeletons and reduced to abstract ideas. They have, as it were, denotation but not connotation. The anhedonic can still speak about happiness and meaning et al., but she has become incapable of feeling anything in them, of understanding anything about them, of hoping anything about them, or of believing them to exist as anything more than concepts. Everything becomes an outline of the thing. Objects become schemata. The world becomes a map of the world. An anhedonic can navigate, but has no location. I.e. the anhedonic becomes, in the lingo of Boston AA, Unable To Identify.”
― Infinite Jest
― Infinite Jest
“Rain, midnight rain, nothing but the wild rain
On this bleak hut, and solitude, and me
Remembering again that I shall die
And neither hear the rain nor give it thanks
For washing me cleaner than I have been
Since I was born into this solitude.
Blessed are the dead that the rain rains upon:
But here I pray that none whom once I loved
Is dying to-night or lying still awake
Solitary, listening to the rain,
Either in pain or thus in sympathy
Helpless among the living and the dead,
Like a cold water among broken reeds,
Myriads of broken reeds all still and stiff,
Like me who have no love which this wild rain
Has not dissolved except the love of death,
If love it be towards what is perfect and
Cannot, the tempest tells me, disappoint.”
―
On this bleak hut, and solitude, and me
Remembering again that I shall die
And neither hear the rain nor give it thanks
For washing me cleaner than I have been
Since I was born into this solitude.
Blessed are the dead that the rain rains upon:
But here I pray that none whom once I loved
Is dying to-night or lying still awake
Solitary, listening to the rain,
Either in pain or thus in sympathy
Helpless among the living and the dead,
Like a cold water among broken reeds,
Myriads of broken reeds all still and stiff,
Like me who have no love which this wild rain
Has not dissolved except the love of death,
If love it be towards what is perfect and
Cannot, the tempest tells me, disappoint.”
―
“God help us
you full of talk of a city called Edinburgh
and me in silence so very deep we were so very much in love.
And the burns and sikes and streams
though shallow
were deep music to us.
You trout-tickler,
you flower-picker,
climber in willow trees, me laughing below
as best I could laugh, though you never thought it ugly.
Indeed the word you used was the word beautiful,
pinning cowslips behind my ears,
you patting and running fingers through our
beckwashed hair.
Lying by the marigold beds
bare toes entwined, then dancing under branches
before the elms ever died. But our mutual hearts never did.
Bar it is 7 and your raining rage
must cease
under my morning moon.
In my dawn shawl looking dawndown upon you
in your foot-striding fellhighhighupuptopheavyrainbeatingrainrain.
We have always walked together so long.
In the long grass we walked and walked forever so long so very language long
and I could say so once you had the slate in my lap.
My tongue blank - FOREVER, word we wrote on a slate, remember
when you taught me? - only my hands and eyes moving now - two
daughters we could have had -
but I am looking kindly and lovingly on you
'Please do it'
- cool your raging fire lovelorn heart - for me.
And love me - forever.”
― Pearl in the Silver Morning
you full of talk of a city called Edinburgh
and me in silence so very deep we were so very much in love.
And the burns and sikes and streams
though shallow
were deep music to us.
You trout-tickler,
you flower-picker,
climber in willow trees, me laughing below
as best I could laugh, though you never thought it ugly.
Indeed the word you used was the word beautiful,
pinning cowslips behind my ears,
you patting and running fingers through our
beckwashed hair.
Lying by the marigold beds
bare toes entwined, then dancing under branches
before the elms ever died. But our mutual hearts never did.
Bar it is 7 and your raining rage
must cease
under my morning moon.
In my dawn shawl looking dawndown upon you
in your foot-striding fellhighhighupuptopheavyrainbeatingrainrain.
We have always walked together so long.
In the long grass we walked and walked forever so long so very language long
and I could say so once you had the slate in my lap.
My tongue blank - FOREVER, word we wrote on a slate, remember
when you taught me? - only my hands and eyes moving now - two
daughters we could have had -
but I am looking kindly and lovingly on you
'Please do it'
- cool your raging fire lovelorn heart - for me.
And love me - forever.”
― Pearl in the Silver Morning
Nick’s 2025 Year in Books
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