Sean Stevens

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In the Distance
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by Hernan Diaz (Goodreads Author)
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I'm Starting to W...
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“Fear not for the future, weep not for the past. —Percy Bysshe Shelley (1792–1822)”
Gabriel Byrne, Walking with Ghosts: A Memoir

“So the days passed into weeks and the weeks into months, and gradually she too faded until many years later when I came across a photograph of us together on a hillside in Greece, our only holiday. A photograph I'd long forgotten tumbled from its envelope carrying the perfume of her after all those years. That perfume! It would be on the pillow, on my shirt, in every room. Now I breathed it in and was back among the cypresses of a monastery in Greece. We had walked for hours to the garden above the sea. We were given minted honey and yogurt and cool retsina by a young monk. Evening came and it was time to return to the hotel. She asked if we could stay in the monastery and the young monk said yes. And in an ancient stone cell, she fell asleep. I lay awake listening to her soft breathing. A bone in her foot cracked. A tiny cry in the throat. Even the chanting of the monks in the early morning did not wake her.

And now there was only this photograph, the ghost of her smiling at me in the shade of cypress trees.”
Gabriel Byrne, Walking with Ghosts
tags: memoir

Samuel R. Delany
“Wars and chaoses and paradoxes ago, two mathematicians between them ended an age d began another for our hosts, our ghosts called Man. One was Einstein, who with his Theory of Relativity defined the limits of man's perception by expressing mathematically just how far the condition of the observer influences the thing he perceives.
...
The other was Goedel, a contemporary of Eintstein, who was the first to bring back a mathematically precise statement about the vaster realm beyond the limits Einstein had defined: In any closed mathematical system--you may read 'the real world with its immutable laws of logic'--there are an infinite number of true theorems--you may read 'perceivable, measurable phenomena'--which, though contained in the original system, can not be deduced from it--read 'proven with ordinary or extraordinary logic.' Which is to say, there are more things in heaven and Earth than are dreamed of in your philosophy, Horatio. There are an infinite number of true things in the world with no way of ascertaining their truth. Einstein defined the extent of the rational. Goedel stuck a pin into the irrational and fixed it to the wall of the universe so that it held still long enough for people to know it was there.
...
The visible effects of Einstein's theory leaped up on a convex curve, its production huge in the first century after its discovery, then leveling off. The production of Goedel's law crept up on a concave curve, microscopic at first, then leaping to equal the Einsteinian curve, cross it, outstrip it. At the point of intersection, humanity was able to reach the limits of the known universe...
... And when the line of Goedel's law eagled over Einstein's, its shadow fell on a dewerted Earth. The humans had gone somewhere else, to no world in this continuum. We came, took their bodies, their souls--both husks abandoned here for any wanderer's taking. The Cities, once bustling centers of interstellar commerce, were crumbled to the sands you see today.”
Samuel R. Delany, The Einstein Intersection

Samuel R. Delany
“I do not say, however, that every delusion or wandering of the mind should be called madness. Erasmus of Rotterdam, The Praise of Folly There”
Samuel R. Delany, Einstein Intersection

Roger Ebert
“I've always felt that movies are an emotional medium -- that movies are not the way to make an intellectual argument. If you want to make a political or a philosophical argument, then the ideal medium exists, and that medium is the printed word -- a movie is not a logical art form. When we watch a film, the director is essentially standing behind us and saying, "Look here," and "Look there," "Hear this," and "Hear that," and "Feel this," and "Feel the way I want you to feel." And we give up conscious control over our intelligence. We become voyeurs. We become people who are absorbed into the story, if the story is working. And it's an emotional experience.”
Roger Ebert

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