Julia Kulgavchuk

“He undressed and, wearing slippers and a robe, went to the bathroom to shave. He turned on the radio. They read the newspapers on the Dominican Voice and Caribbean Radio. Until a few years ago the news bulletins had begun at five. But when his brother Petan, the owner of the Dominican Voice, found out that he woke at four, he moved the newscasts up an hour. The other stations followed suit. They knew he listened to the radio while he shaved, bathed, and dressed, and they were painstakingly careful.”
― mario vargas llosa, The Feast of the Goat

“Many cherish art as a special haven within an over-schematized world, where ambiguities can thrive. If an artwork’s message is self-evident, maybe it’s just an illustration, a decorative non-entity, a well-executed craft object, hardly counting as ‘significant’ art at all. It’s not just that without an explanation the viewer is lost; without some written framework to steady it, the art itself risks losing its way, never gaining traction in the contemporary art system. From this perspective, both viewer and artwork alike are as if handicapped without the art-world’s special assistance.”
― Gilda Williams, How to Write About Contemporary Art

“Who knows Bob’s name in this outfit—let alone his lame child’s? (“The last place I worked for, I was let go,” recalls the bank teller. “One of my friends stopped by and asked where I was at. They said, ‘She’s no longer with us.’ That’s all. I vanished.”) It’s nothing personal, really. Dickens’s people have been replaced by Beckett’s.”
― Studs Terkel, Working: People Talk About What They Do All Day and How They Feel About What They Do

“There is nothing new under the sun, but there are new suns.”
― Octavia E. Butler