Julia Kulgavchuk

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Book cover for All Fours
Other people’s relationships never make any sense. Once I got my best friend, Jordi, to record a casual conversation between her wife and her. Jordi is a brilliant sculptor who can convincingly theorize about anything, but in this ...more
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“Чтобы человек мог стоять, он должен все время падать. Что это значит, что он должен падать? Он должен отклоняться и приводить себя в равновесное состояние.

Когда впервые появляется управление? Во-первых, когда в систему закладывается жесткая организация, и, во-вторых, когда начинаются постоянные отклонения от нее и нарушения. Вот когда эти условия есть, вы начинаете исходить из двух идей, как бы взаимно исключающих друг друга: первое — есть формальная организация, второе — в реальных ситуациях нормативные документы не могут выполняться как таковые. Вот тогда и появляется необходимость в управлении. Тогда и только тогда. [...] Управление нужно, когда вы строите систему из ненадежных элементов. Должна быть обеспечена надежность целого при ненадежных элементах.”
Георгий Щедровицкий, Оргуправленческое мышление: идеология, методология, технология

Leonard Koren
“Things are either devolving toward, or evolving from, nothingness. As dusk approaches in the hinterlands, a traveler ponders shelter for the night. He notices tall rushes growing everywhere, so he bundles an armful together as they stand in the field, and knots them at the top. Presto, a living grass hut. The next morning, before embarking on another day's journey, he unknots the rushes and presto, the hut de-constructs, disappears, and becomes a virtually indistinguishable part of the larger field of rushes once again. The original wilderness seems to be restored, but minute traces of the shelter remain. A slight twist or bend in a reed here and there. There is also the memory of the hut in the mind of the traveler — and in the mind of the reader reading this description. Wabi-sabi, in its purest, most idealized form, is precisely about these delicate traces, this faint evidence, at the borders of nothingness.”
Leonard Koren, Wabi-Sabi: for Artists, Designers, Poets & Philosophers

Amanda Palmer
“Asking for help with shame says:
You have the power over me.
Asking with condescension says:
I have the power over you.
But asking for help with gratitude says:
We have the power to help each other.
Amanda Palmer, The Art of Asking; or, How I Learned to Stop Worrying and Let People Help

John Maeda
“Every time I try to diagram some organizational phenomena or strategy, the resulting pretty picture generally fails to create any lasting understanding. Much like movies, diagrams are more meaningful when you are there to witness the “making-of” experience or any other “live” means of presentation. We love to be there at the very moment of conception of an idea, but when we’re not, we’re less likely to be excited by the idea (because it doesn’t feel like our own). There is something to be said for sitting right there and watching the drawing unfold — it can make the spoken narrative clearer.

At the very end of an intense diagramming session that has revealed every possible magnificent detail, there is always the moment of excitement and reckoning that warrants, “Wait, wait… let me take a photo of this with my mobile phone.” But when you show it to someone else a week or two later, it no longer makes any sense. Watching something being made is a powerful way to understand a concept; trying to decode just the final result, no matter how simple and visually elegant, demands an explanation of how it came to be.”
John Maeda, Redesigning Leadership

“Many cherish art as a special haven within an over-schematized world, where ambiguities can thrive. If an artwork’s message is self-evident, maybe it’s just an illustration, a decorative non-entity, a well-executed craft object, hardly counting as ‘significant’ art at all. It’s not just that without an explanation the viewer is lost; without some written framework to steady it, the art itself risks losing its way, never gaining traction in the contemporary art system. From this perspective, both viewer and artwork alike are as if handicapped without the art-world’s special assistance.”
Gilda Williams, How to Write About Contemporary Art

25x33 Absurdism in Fiction — 149 members — last activity May 27, 2022 09:28PM
Springing out of the philosophies of Camus and Kierkegaard, this group embraces the stories and novels where the absurd is played out before us. We se ...more
223933 UX Book Club CPH — 6 members — last activity Jun 26, 2017 12:34PM
We're a book club in Copenhagen, Denmark that meets about six times a year to discuss UX books. If we get non-Danish-speaking visitors, we will hold o ...more
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