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Ladies in Waiting...
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City of Intellect...
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Wallace Stegner
“Actually he never expected much of people, and so he wasn’t upset if they turned out to be shysters or chiselers or crooks. But a few people he trusted absolutely. It was when they betrayed him that he turned to rock.”
Wallace Stegner, Angle of Repose

Renata Adler
“Is it always the same story, then? Somebody loves and somebody doesn't, or loves less, or loves someone else. Or someone is a good soul and someone a villain. And there are just these episodes, anecdotes, places, pauses, hailings of cabs, overcomings of obstacles, or instances of being overcome by them, illnesses, accidents, recoveries, wars, desires, welcomings, rebuffs, baskings (rare, not so long), pinings (more frequent, perhaps, and longer), actions, failures to act, hesitations, proliferations, endings of the line, until there is death. Well, no. I have a wonderful, fond memory, about love and trust and books.”
Renata Adler, Pitch Dark

Wallace Stegner
“But this general business of trusting people, I don’t know. I doubt if I can change. I believe in trusting people, do you see? At least till they prove they can’t be trusted. What kind of life is it when you can’t?”
Wallace Stegner, Angle of Repose

Margaret Drabble
“And even then, even at that moment, I did not have the courage to ask him where he lived, or to ask him what his phone number was, for it would have seemed an intrusion, an assumption that I had a right to know, that a future existed where it would be of use to know. I see, oh yes I see that my diffidence, my desire not to offend looks like enough to coldness, looks like enough to indifference, and perhaps I mean it to, but this is not what it feels like in my head. But I cannot get out and say, Where do you live, give me your number, ring me, can I ring you? In case I am not wanted. In case I am tedious. So I let him go, without a word about any other meeting, though he was the one thing I wanted to keep...”
Margaret Drabble, The Millstone

Margaret Drabble
“I look back now with some anguish to each touch and glance, to every changing conjunction of limbs and heads and hands. I have lived it over every day for so long now that I am in danger of forgetting the true shape of how it was, because each time I go over it I wish that I had given a little more here or there, or at the very least said what was in my heart, so that he could have known how much it meant to me. But I was incapable, even when happy, of exposing myself thus far.”
Margaret Drabble, The Millstone

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