David Monroe

“Run everything on a generator,” Haskel said. “Got to keep it a certain temperature for the stuff I carry. Not too cold. Not too hot. There’s shit in here, weather got wrong, it’d go off and blow our asses all the way to Mineola. Maybe out in the goddamned Gulf.”

“I don’t like to travel that far unless I got plane tickets and a steward in my lap,” Leonard said.

Haskel cut an eye toward Leonard. “You mean stewardess, don’t you?”

“I don’t think so,” Leonard said, and let Haskel churn that one over.”
― Joe R. Lansdale

“My favorite kind of musical experience is to feel afterward that your heart is filled up and transformed, like it is pumping a whole new kind of blood into your veins. This is what it is to be a fan: curious, open, desiring for connection, to feel like art has chosen you, claimed you as its witness.”
― Carrie Brownstein, Hunger Makes Me a Modern Girl: A Memoir

“Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right.”
― J.D. Vance

“Country music was the most segregated kind of music in America, where even whites played jazz and even blacks sang in the opera. Something like country music was what lynch mobs must have enjoyed while stringing up their black victims. Country music was not necessarily lynching music, but no other music could be imagined as lynching’s accompaniment. Beethoven’s Ninth was the opus for Nazis, concentration camp commanders, and possibly President Truman as he contemplated atomizing Hiroshima, classical music the refined score for the high-minded extermination of brutish hordes. Country music was set to the more humble beat of the red-blooded, bloodthirsty American heartland. It was for fear of being beaten to this beat that black soldiers avoided the Saigon bars where their white comrades kept the jukeboxes humming with Hank Williams and his kind, sonic signposts that said, in essence, No Niggers.”
― Viet Thanh Nguyen, The Sympathizer