Rose-Ellen

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Nothing Is Forgotten
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by Peter Golden (Goodreads Author)
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The Man Who Rocke...
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Lao She
“London fog’s fascinating. Just take its colours, for instance – it may be several all at once. In some parts it’s light grey, and you can still see things within a range of forty or fifty feet. In other parts, it’s such a dark grey that there’s no difference between night and day. In some places it’s greyish yellow, as if the whole of London city is burning damp wood. In yet other places, it’s a reddish brown, and when the fog is this colour you can forget about being able to see anything any more. All you can spot if you’re standing indoors, looking out the windowpane, is the reddish brown colour. If you walk in the fog, it’s dark grey just ahead of you, and it’s not until you raise your head and make an actual effort to pick out a lamp shining somewhere, that you can see the faintest yellow tinge to it. That sort of fog doesn’t come in wisps, but in one whole mass, and blocks out the world. As you walk, the fog follows you. You can’t see anything, and nobody can see you. You don’t even know where you are. Only the fiercest-burning gas lamps penetrate the gloom, and all you can distinguish are the wisps of steam from your own breath before your lips. The rest is hazy and unidentifiable.”
Lao She, Mr Ma and Son

Arthur Conan Doyle
“He was prolix, it may be admitted, but who could bear to have him cut? He loved to sit down and tell you just all about it. His use of letters for his narratives made this gossipy style more easy. First he writes and he tells all that passed. You have his letter. She at the same time writes to her friend, and also states her views. This also you see. The friends in each case reply, and you have the advantage of their comments and advice. You really do know all about it before you finish. It may be a little wearisome at first, if you have been accustomed to a more hustling style with fireworks in every chapter. But gradually it creates an atmosphere in which you live, and you come to know these people, with their characters and their troubles, as you know no others of the dream-folk of fiction. Three times as long as an ordinary book, no doubt, but why grudge the time? What is the hurry? Surely it is better to read one masterpiece than three books which will leave no permanent impression on the mind.”
Arthur Conan Doyle, Through the Magic Door

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