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People who’d argued that interstellar travel was financially impractical had reckoned without the immense commercial possibilities of having a story to tell to an audience of over eight billion consumers.
Terri liked this
“Nuclear weapons were a discontinuous change in human power. At Hiroshima, a single bomb did the damage of thousands. And six years later, a single thermonuclear bomb held more energy than every explosive used in the entire course of the Second World War.43”
― The Precipice: Existential Risk and the Future of Humanity
― The Precipice: Existential Risk and the Future of Humanity
“signed language is not merely proselike and narrative in structure, but essentially “cinematic” too: In a signed language … narrative is no longer linear and prosaic. Instead, the essence of sign language is to cut from a normal view to a close-up to a distant shot to a close-up again, and so on, even including flashback and flash-forward scenes, exactly as a movie editor works.… Not only is signing itself arranged more like edited film than like written narration, but also each signer is placed very much as a camera: the field of vision and angle of view are directed but variable. Not only the signer signing but also the signer watching is aware at all times of the signer’s visual orientation to what is being signed about.”
― Seeing Voices
― Seeing Voices
“Speech has only one dimension—its extension in time; writing has two dimensions; models have three; but only signed languages have at their disposal four dimensions—the three spatial dimensions accessible to a signer’s body, as well as the dimension of time. And Sign fully exploits the syntactic possibilities in its four-dimensional channel of expression.”
― Seeing Voices
― Seeing Voices
“Records made ‘at one sitting’ sound so fresh now – because the rate of discovery and the emotional tempo match those of the listener. What’s infuriating, though, is how fragile those fabrics are. I’ve noticed that, trying to work on improvisations that have ‘something’, they very quickly dissolve into nothing the more attention they get. It’s almost like trying to reconstruct a very funny dinner party – you had to be there, and it’s impossible to isolate the chemistry of what really made it work.”
― A Year with Swollen Appendices: Brian Eno's Diary
― A Year with Swollen Appendices: Brian Eno's Diary
“This innate structure, this latent structure, is not fully developed at birth, nor is it too obvious at the age of eighteen months. But then, suddenly, and in the most dramatic way, the developing child becomes open to language, becomes able to construct a grammar from the utterances of his parents. He shows a spectacular ability, a genius for language, between the ages of twenty-one and thirty-six months”
― Seeing Voices
― Seeing Voices
Stephen’s 2025 Year in Books
Take a look at Stephen’s Year in Books, including some fun facts about their reading.
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