Erasmus

“You can never be too subtle, and you can never be too simple.”
― Paul Valéry, The Collected Works of Paul Valéry, Vol. 14

“For if the choice were given to any individual between his own destruction and that of the world, I do not need to say where it would land in the great majority.”
― Arthur Schopenhauer, The Two Fundamental Problems of Ethics

“You must understand that your pain is trivial except insofar as you can use it to connect with other people’s pain; and insofar as you can do that with your pain, you can be released from it, and then hopefully it works the other way around too; insofar as I can tell you what it is to suffer, perhaps I can help you to suffer less.”
― James Baldwin, The Cross of Redemption: Uncollected Writings

“What are the implacable values of Homer? Honor, status, personal courage—the values of an aristocratic military class? But this is not what the Iliad is about. It would be more correct to say, as Simone Weil does, that the Iliad—as pure an example of the tragic vision as one can find—is about the emptiness and arbitrariness of the world, the ultimate meaninglessness of all moral values, and the terrifying rule of death and inhuman force. If the fate of Oedipus was represented and experienced as tragic, it is not because he, or his audience, believed in “implacable values,” but precisely because a crisis had overtaken those values. It is not the implacability of “values” which is demonstrated by tragedy, but the implacability of the world. The story of Oedipus is tragic insofar as it exhibits the brute opaqueness of the world, the collision of subjective intention with objective fate. After all, in the deepest sense, Oedipus is innocent; he is wronged by the gods, as he himself says in Oedipus at Colonus. Tragedy is a vision of nihilism, a heroic or ennobling vision of nihilism.”
― Susan Sontag, Against Interpretation and Other Essays