Erasmus

“Do not confuse the reality you live in with the ideas you have in your head.”
― Amilcar Cabral

“I think you must like history, as I liked it when I was your age, because it deals with living people and everything that concerns people, as many people as possible, all people in the world, in so far as they unite together in society and work and struggle and make a bid for a better life. All that can’t fail to please you more than anything else, isn’t that right?”
― Antonio Gramsci, Lettere dal carcere

“What are the implacable values of Homer? Honor, status, personal courage—the values of an aristocratic military class? But this is not what the Iliad is about. It would be more correct to say, as Simone Weil does, that the Iliad—as pure an example of the tragic vision as one can find—is about the emptiness and arbitrariness of the world, the ultimate meaninglessness of all moral values, and the terrifying rule of death and inhuman force. If the fate of Oedipus was represented and experienced as tragic, it is not because he, or his audience, believed in “implacable values,” but precisely because a crisis had overtaken those values. It is not the implacability of “values” which is demonstrated by tragedy, but the implacability of the world. The story of Oedipus is tragic insofar as it exhibits the brute opaqueness of the world, the collision of subjective intention with objective fate. After all, in the deepest sense, Oedipus is innocent; he is wronged by the gods, as he himself says in Oedipus at Colonus. Tragedy is a vision of nihilism, a heroic or ennobling vision of nihilism.”
― Susan Sontag, Against Interpretation and Other Essays

“For if the choice were given to any individual between his own destruction and that of the world, I do not need to say where it would land in the great majority.”
― Arthur Schopenhauer, The Two Fundamental Problems of Ethics