Robby Johnson

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A History of the ...
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by Tom Standage (Goodreads Author)
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Tooth and Nail
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by Ian Rankin (Goodreads Author)
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Charles Ryder's S...
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Paul Rudnick
“Venice was luscious. She had real curves and real cleavage. She had a stunning face, set off by a broad, lascivious grin. She had an indefinable hairstyle, a swag of thick blond dazzle that seemed always in motion, falling in her eyes, getting caught in her mouth. Venice spoke in a husky growl, with a deep, filthy laugh.
Venice was no stranger to flirtation; she was practically no stranger to anyone. She smoldered, even at breakfast. Venice—at times literally—enjoyed a love affair with Manhattan.”
Paul Rudnick, Social Disease

James Grissom
“Blanche told us she depended upon the kindness of strangers,” Tenn said, “but in fact she had never in her life ever met a kind stranger. She dreamed she might, and she hoped that such flattery might convince her captor to be the kind stranger of her dreams.”
James Grissom, Follies of God: Tennessee Williams and the Women of the Fog

Paul Rudnick
“Nightlife is not for sissies, except of course for career sissies; an evening out requires at least a full day of minute preparation. . . . People move to New York to invent themselves, and nightclubs provide a runway for the results. It’s easy to spend twenty hours per day slaving in a Pennsylvania coal mine or threshing some Nebraska oat crop; going out in New York is work.
Paul Rudnick, Social Disease

Evelyn Waugh
“Just the place to bury a crock of gold,' said Sebastian. 'I should like to bury something precious in every place where I've been happy and then, when I was old and ugly and miserable, I could come back and dig it up and remember.”
Evelyn Waugh, Brideshead Revisited

Paul Rudnick
“Guy cradled his tux, stroking it, running his fingers incestuously over the satin stripe on the trousers. There is a satisfaction that only superb clothing can offer, the joy of man raising himself from the mud, vindicating evolution. Life cannot lack purpose if a tuxedo exists—this is the obvious reply to the Samuel Beckett canon.”
Paul Rudnick, Social Disease

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