Jane Turner

“I'm gonna piss you off, honey, probably enough for you to want to leave. I've got a temper and so do you, we're gonna clash. It won't feel good, it'll feel not worth it sometimes but, you leave me, I'll wait for you to come back. And you'll come back because, something we've both learned, this, what we have is worth getting over it. Whatever it is that ticks us off of holds us back, we know it's worth fighting for.”
― Kristen Ashley, At Peace

“Words, I think, are such unpredictable creatures.
No gun, no sword, no army or king will ever be more powerful than a sentence. Swords may cut and kill, but words will stab and stay, burying themselves in our bones to become corpses we carry into the future, all the time digging and failing to rip their skeletons from our flesh.”
― Tahereh Mafi, Ignite Me

“Why do you call her 'love'?" James asks. "I've heard you say that before, too. A lot. Are you in love with her? I think Adam's in love with her. Kenji's not in love with her, though. I already asked him."
Warner blinks at him.
"Well?" James asks.
"Well what?"
"Are you in love with her?"
"Are you in love with her?"
"What?" James blushes. "No. She's like a million years older than me."
"Would anyone else like to take over this conversation?" Warner asks, looking around the group.”
― Tahereh Mafi, Ignite Me

“His was the sort of physical beauty that attracted even as any great work of art ensnared the eye. One did not have to wish to own such a creation, often it was enough just to study and appreciate it. Only a little above average height, his form was well proportioned and well muscled, with not an extra jot of flesh. He had a fencer’s easy play of movement. But it was his face that first and last attached the eye. It was a lean countenance, the ivory white skin so taut across the fine bone structure as to appear to have been stretched to fit. Feature by feature, it was not a classic visage, but the sum more than compensated for the parts. His cheekbones were high and perhaps too pronounced. The nose was straight, a trifle too long and thin, the mouth not at all the full, plump standard of Greek statuary, for while well cut it was thin as well, and bore at times a half-quirked, sensuous smile. The eyes were long and almond-shaped and pulled down slightly at the corners, rather than tilting upward in classical fashion. But despite the astonishing thick, bright-silver-tipped gilt hair and slightly darker brows, it was the eyes that one’s gaze returned to again and again. From afar, or even in shadow, Lord North’s eyes were unexceptional save for their keen expression. But in clear light and up close it could be seen that they were extraordinary. For to speak with the nobleman from his right side, one would look for answer in his grave gray eye. Yet to approach him from the left, one would seek response from his cool blue orb. His eyes were not so dissimilar as to shock, but seeing him once, the viewer would be troubled by some nagging discrepancy and turn to search his face until his varicolored eyes were at last discovered, and the viewer amazed and enchanted. To see him once was to remember him forever, to hear his name was to recall him instantly. His reputation was as varied and colorful as his strange countenance. He was said to be a libertine, he was whispered to be beyond mere libertine.”
― Edith Layton, Lord of Dishonor