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The Product Samurai
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HR Disrupted: It’...
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Studii despre iubire
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Jonas Mekas
“A meeting with nature means to me sometimes more than meeting with a person. It wakes up feelings, memories. Its arrows shoot deep, always on target”
Jonas Mekas, I Had Nowhere to Go

Jonas Mekas
“My life is as confusing as the mountains.
You can't get to the top of a mountain by walking straight. You walk through and around the fields, up and down, narrow passages, paths - the road that is ten times longer than the actual straight distance... And it always looks as if that peak, that summit is so near, maybe just minutes away - but you walk for three more hours, and you look up and the distance is still the same. The mountains upset the logic of lines, perspectives, time, space, distance. Everything's so different, in the mountains. So then, what about life?...”
Jonas Mekas, I Had Nowhere to Go

Frida Kahlo
“You too know that all my eyes see, all I touch with myself, from any distance, is Diego. The caress of fabrics, the color of colors, the wires, the nerves, the pencils, the leaves, the dust, the cells, the war and the sun, everything experienced in the minutes of the non-clocks and the non-calendars and the empty non-glances, is him.”
Frida Kahlo, The Diary of Frida Kahlo: An Intimate Self-Portrait

Jonas Mekas
“Some day, years later, in our memories, we'll return back to these places, and we'll toss about and we won't be able to sleep, thinking, remembering...it will all come back and we won't be able to change anything...
So I wish that then, years later, you wouldn't regret anything and you wouldn't want to change anything at all - a life lived perfectly, a perfect memory...”
Jonas Mekas, I Had Nowhere to Go

Matei Vişniec
“Cum să fac să nu o iau în brațe
când o văd trecând prin univers?

îmi fac o listă:
de pus mereu în buzunar un trotuar de rezervă, când o văd
că se apropie de mine scot trotuarul și trec pe partea cealaltă

mă prefac neatent, întorc capul spre zid mă zidesc în el
trec prin zid

sau:
mă întorc brusc și o iau la fugă înapoi, toată lumea va înțelege,
(am uitat ceva esențial, undeva, cu zece douăzeci treizeci
de ani în urmă, fug înapoi spre copilărie)

sau, și mai bine, când o văd că se apropie de mine
îmi ridic brațele, le transform în aripi, descopăr brusc
că sunt capabil să zbor, la revedere, Domnișoară
nu mai sunt obligat să mor dacă nu vă iau în brațe

sau, și mai bine, nu mă mai nasc, nu mai scriu nimic
nici măcar acest poem nu mai există

nu, nu pot să-i fac asta, ea trăiește cu un poem pe zi
mai bine mă prefac în poem
se va parfuma cu mine, se va lipi de mine la micul dejun
mă va citi poate de mai multe ori…”
Matei Vişniec, Negustorul de începuturi de roman

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