Nick Harte

“To move from the oral to the written is to immobilise the body, to take control (to possess it).”
― Édouard Glissant, Caribbean Discourse: Selected Essays

“Was Trakl a Christian? Yes, of course, at times he becomes a Christian, among a general confusion of becomings—becoming an animal, becoming a virus, becoming inorganic—just as he was also an antichrist, a poet, a pharmacist, an alcoholic, a drug addict, a psychotic, a leper, a suicide, an incestuous cannibal, a necrophiliac, a rodent, a vampire, and a werewolf. Just as he became his sister, and also a hermaphrodite. Trakl's texts are scrawled over by redemptionist monotheism, just as they are stained by narcotic fluidities, gnawed by rats, cratered by Russian artillery, charred and pitted by astronomical debris. Trakl was a Christian and an atheist and also a Satanist, when he wasn't simply undead, or in some other way inhuman. It is perhaps more precise to say that Trakl never existed, except as a battlefield, a reservoir of disease, the graveyard of a deconsecrated church, as something expiring from a massive cocaine overdose on the floor of a military hospital, cheated by lucidity by the searing onslaught of base difference.”
― Nick Land, Fanged Noumena: Collected Writings, 1987–2007

“We know ourselves as part and as crowd, in an unknown that does not terrify. We cry our cry of poetry. Our boats are open, and we sail them for everyone.”
― Édouard Glissant, Poetics of Relation

“Pornography is certainly more beautiful than eroticism. Eroticism is ugly. Eroticism is an ideology... there is nothing more boring than eroticism, it's worse than poetry, even. I say three cheers for pornography.”
― Pierre Guyotat