Helene Cardona's Blog - Posts Tagged "neruda"
In French! Le mot juste en anglais
Professeur Michele Druon interviews me in "Le mot juste en anglais" where we discuss literature, life and consciousness.
http://le-mot-juste-en-anglais.typepa...
http://le-mot-juste-en-anglais.typepa...
Life in Suspension reviewed by J.C. Hallman in The Brooklyn Rail
A Poet is a Mood: Life in Suspension reviewed by J.C. Hallman in The Brooklyn Rail
"The
dual-language aspect of this surprising volume, which just as often will have you thinking of Rumi and Rilke and Neruda, offers a unique archaeology-style pleasure of penetrating a psychic poetic cavity that generally remains undisturbed... And… you remember being with the poet for these moments stolen from an unlikely life."
http://www.brooklynrail.org/2016/12/b...
"But Cardona is different, I think, and [her] dissertation on James is the clue. In both letters and fiction, James asserted that all the arts are one, and what he meant was that a novel can aspire to do what the gigantic Tintorettos in the Louvre do. In short, we should no sooner segregate media than people....[These poems] compile to form the chronicle of a traveler, without fixed language, without fixed nationality or profession, moving physically from Bar Harbor to Chalkidiki (it’s Greece), and emotionally from the calm of floating alone on a lake to the inner hurricane of watching a loved one slip from this world to the next. En route, there are these poetic hesitations, the vibrancy of life trapped in amber."
Read the full review: http://www.brooklynrail.org/2016/12/b...
"The
dual-language aspect of this surprising volume, which just as often will have you thinking of Rumi and Rilke and Neruda, offers a unique archaeology-style pleasure of penetrating a psychic poetic cavity that generally remains undisturbed... And… you remember being with the poet for these moments stolen from an unlikely life."http://www.brooklynrail.org/2016/12/b...
"But Cardona is different, I think, and [her] dissertation on James is the clue. In both letters and fiction, James asserted that all the arts are one, and what he meant was that a novel can aspire to do what the gigantic Tintorettos in the Louvre do. In short, we should no sooner segregate media than people....[These poems] compile to form the chronicle of a traveler, without fixed language, without fixed nationality or profession, moving physically from Bar Harbor to Chalkidiki (it’s Greece), and emotionally from the calm of floating alone on a lake to the inner hurricane of watching a loved one slip from this world to the next. En route, there are these poetic hesitations, the vibrancy of life trapped in amber."
Read the full review: http://www.brooklynrail.org/2016/12/b...
CELEBRATING AMERICAN SHE-POETS: HÉLÈNE CARDONA … POETRY IS LANGUAGE FOR THE INEFFABLE
Check out my interview with Jamie Dedes in The Poet by Day, with excerpts from Dreaming My Animal Selves and Life in Suspension:
https://jamiededes.com/2016/12/22/cel...
CELEBRATING AMERICAN SHE-POETS (27): HÉLÈNE CARDONA … POETRY IS LANGUAGE FOR THE INEFFABLE, WHAT IS IMPOSSIBLE TO WRITE…
https://jamiededes.com/2016/12/22/cel...
CELEBRATING AMERICAN SHE-POETS (27): HÉLÈNE CARDONA … POETRY IS LANGUAGE FOR THE INEFFABLE, WHAT IS IMPOSSIBLE TO WRITE…
Birnam Wood reviewed in World Literature Today
José Manuel Cardona’s Orphic Aubade: Review by Jordi Alonso:
https://www.worldliteraturetoday.org/...
"Cardona’s collection harnesses the power of nostalgia in the Greek sense, a longing for home, to shine through the sadness of some of its poems to remind readers that “in the sunrises / memory comes back to” us, and we are richer for it. Hélène Cardona’s translation of her father’s
poetic anthology imbues the same reverence to the Old Masters of world literature, among them Homer, Góngora, and Shakespeare—from the last of whom the collection takes its title—into the fabric of its English lines as the originals show." —Jordi Alonso, World Literature Today
https://www.worldliteraturetoday.org/...
https://www.worldliteraturetoday.org/...
"Cardona’s collection harnesses the power of nostalgia in the Greek sense, a longing for home, to shine through the sadness of some of its poems to remind readers that “in the sunrises / memory comes back to” us, and we are richer for it. Hélène Cardona’s translation of her father’s
poetic anthology imbues the same reverence to the Old Masters of world literature, among them Homer, Góngora, and Shakespeare—from the last of whom the collection takes its title—into the fabric of its English lines as the originals show." —Jordi Alonso, World Literature Todayhttps://www.worldliteraturetoday.org/...
