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Down a Dark Hall
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Jun 17, 2026 11:26PM

 
Beauty and the Be...
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Green Rider
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Anya Seton
“I admire the man's genius, I sense in his writings a strong kinship with my own mind; they have a macabre quality, a voluptuous flavor of mystery and evil which attracts me strongly.”
Anya Seton, Dragonwyck

Anya Seton
“A Tropic flower cannot live without sun. A soul cannot live without love.”
Anya Seton, Dragonwyck

Maria Luis
“He is my ruin. My complete and utter devastation.”
Maria Luis, Sound of Madness

Anya Seton
“His home was a part of him, an externalized expression of his will, for upon his inherited Dutch Manor house he had superimposed the Gothic magnificence which he desired. He had been attracted by the formulations of Andrew Downing, the young landscape architect who lived on the river at Newburgh and whose directions for building "romantic and picturesque villas" were changing the countryside; but it was not in Nicholas to accept another's ideas, and when five years ago he had remodeled the old Van Ryn homestead, he had used Downing simply as a guide. To the original ten rooms he had added twenty more, the gables and turrets, and the one high tower. The result, though reminiscent of a German Schloss on the Rhine, crossed with Tudor English and interwoven with pure fantasy, was nevertheless Hudson River American and not unsuited to its setting.
The Dragonwyck gardens were as much as an expression of Nicholas' personality as was the mansion, for here, he had subdued Nature to a stylized ornateness. Between the untouched grove of hemlocks to the south and the slope of a rocky hill half a mile to the north he had created along the river an artificial and exotic beauty.
To Miranda it was overpowering, and she felt dazed as they mounted marble steps from the landing. She was but vaguely conscious of the rose gardens and their pervasive scent, of small Greek temples set beneath weeping willows, of rock pavilions, violet-bordered fountains, and waterfalls.”
Anya Seton, Dragonwyck

Anya Seton
“She compromised by stuffing all the shining mass loosely into a pink chenille net. The net matched her foaming mousseline gown, also the color of a pink seashell. Like all fashionably dressed women with unlimited means, Miranda had a special gown for every imaginable function. A walking costume could hardly be worn for midday dinner, still less for tea. A morning négligée, no matter how elaborately be-flounced and beribboned, might never appear after noon even in the privacy of the bedroom. This shell-pink gown had been contrived by the knowing modiste for one purpose only- the gratification of a husband's eye at just such an intimate supper party as Miranda was planning. Its graceful skirt belled but slightly over a petticoat stiffened with horsehair, the tight bodice was cut very low into a heart shape to show the swell of the white breasts. The only trimming were tiny rose velvet bows sewn at random with a careless gaiety as though a swarm of rosy bees had settled on a pink cloud.”
Anya Seton, Dragonwyck

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